October 11, 2023

Doors: 7:00 PM - Show: 8:00 PM

MOKB Presents

Wheeler Walker, Jr.: The Spread Eagle Tour

with Channing Wilson

The Vogue

6259 N College Ave, Indianapolis, IN, 46220


Date & Time

Wednesday, October 11, 2023

8:00 PM

Location

The Vogue

6259 N College Ave, Indianapolis, IN, 46220

WHEELER WALKER JR.: THE SPREAD EAGLE TOUR W/ CHANNING WILSON

WEDNESDAY, OCTOBER 11, 2023

DOORS: 7:00 PM | SHOW: 8:00 PM

AGE RESTRICTIONS: 21+

GENERAL ADMISSION


Important Notice: All tickets are nonrefundable and nontransferable with the exception of event cancellation. Support acts are subject to change.


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The Wheeler Walker Jr. Pre-Show Acoustic Roast includes:

- One general admission ticket

- Exclusive access to the pre-show acoustic & roast experience featuring a private performance and Q&A with Wheeler Walker Jr.

- Exclusive Wheeler Walker Jr. merchandise item

- Commemorative VIP laminate and lanyard

- Pre-concert merchandise shopping opportunity

- Early VIP entry to the venue


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About Wheeler Walker Jr.:


Listen | Watch Video


That sound you hear is the entire city of Nashville wetting their pants – some in excitement, most in fear – because Wheeler Walker Jr. is back. After months in legal limbo due to his involvement in the January 6th 2021 Capital riot, Wheeler’s release of his album, “Sex, Drugs & Country Music” has many claiming it is already the greatest country album of all time.


Since he disappeared 4 years ago, many thought Wheeler was finished. But a strange thing happened after he left - he only got bigger! His mystique grew, his popularity surged and his music was consumed to such an extreme that he was the 3rd most streamed country artist in the world in 2021. (A fact Music Row is trying to keep quiet… artists that speak their minds have a tendency to be ignored by Nashville’s top brass). His fanbase grew exponentially as well. Count among his new fans Killer Mike, Snoop Dogg... and even another “poet of his generation” …

Wheeler blushes and laughs at the mention of Bob Dylan. “How’d you find that out! I didn’t tell anybody! Must’ve been someone on his side who leaked it.” When pressed for more details, Wheeler continues… “When Bob Dylan calls you it’s not like when a normal person calls… it’s an event. It’s planned. You have to wait by the phone, a bunch of his people get you ready… and then Dylan gets on and just laughs and he told me he ‘got it’ and he’s a huge fan and listens to my albums on repeat. I love Dylan, and it was cool, but he’s just a human. No different to me than when Billy Joe Shaver called me up a few years back. I stole more licks from Billy Joe, so that one might’ve been even cooler, all things considered.”


Out of the touring game for almost half a decade, Wheeler decided to celebrate the new record with a show at the Ryman, “the mother church of country music.”


“When I started, I was told they’d never let me play there, and if I did, I’d only sell ten tickets. Then I sold the place out in 24 hours” Wheeler brags. He continues, “If it pisses people off, good. More people should be pissed off about the sorry state of country music today.”


One listen through “Sex, Drugs & Country” reveals where Wheeler’s unrivaled confidence comes from. Once again produced by Dave Cobb (except the song “God Told Me To Fuck You,” which was produced by someone else) and recorded at historic RCA Studio A, the album is a loud, unapologetic roar of a comeback. Wheeler explains, “I figured if I’m gonna save country music, why not save Rock ‘n’ Roll too while I’m at it?”


Then Wheeler gets serious: “The last couple of years have been tough. We lost Billy Joe. We lost Norm. I lost a lot of people close to me. But they wouldn’t want me to make a downer of an album. No one wants to hear another sad album about the pandemic or Adele’s stupid divorce that no one cares about.”


With songs like “Fucked By a Country Boy,” “Sluts In Heaven” and “Honky Tonk Whore,” nobody’s going to have to worry that Ol’ Wheeler’s gone soft.


Then Wheeler cuts to the chase: “I haven’t become the hottest thing in Nashville because everybody else here sucks. They do, and that certainly helps. But I’ve become the biggest name in country music because I’m the best one doing it. I used to be the best, and now I’m even better. Which even I didn’t think was possible.”


Try listening to his music without shitting your pants. We dare you.




About Channing Wilson:

Listen | Watch Video


For Georgia-bred country artist Channing Wilson, writing great songs means living each day with an immense depth of empathy, curiosity, and devotion to inspiration.


“A songwriter can’t live 50 lifetimes—but if he’s worth his weight in anything, he’d better be able to write like he has,” Wilson says.


"God could you throw this dog a bone. Let me turn the corner and be home. I'm tired of being on this road alone." Real lyrics are what Channing Wilson is all about.


From a small town in Northwest Georgia, Channing learned about real life American good times and hardships. He's not afraid to tell you about it either. From his songs like "Poor Man's Cocaine" referring to methamphetamines taking over rural America, to songs like “Black Jesus" which is a story of two men, one young, and one older, finding friendship in spite of the racial stereotypes of the times. Channing’s voice and songwriting is widely considered in the top echelon of the “who’s who” in the Nashville community.


Born on the wrong side of the tracks to two hard working "dirt collar" parents, he had plenty of opportunities to learn real life at an early age. Channing says "I didn't have a musical family. My mother is a pretty good singer, but an even better worker. So, not much time concerts or record stores back then” Finding music later for Channing didn't slow down his passion for it. Learning guitar at 17 and starting writing shortly after. "I came across a book of short poems my mother had written before I was born, and after reading them I was so inspired to explore my own creative side."


By age 25, he had tried college twice and quit more jobs than he applied for. "I never could accept the idea that I was supposed to work every day for someone else. I expected more than a paycheck. After a friend turned me on to Guy Clark and Steve Earle, I knew 2 things:


I never wanted to punch a clock again, and I had to become a better writer and musician." That's exactly what he did at 26 years old, he started his first band and quickly learned the ropes as a very successful regional act. That venture lasted 6 years until he became a father and knew he had to step up his game if he was going to turn a dream into a way of life.


Selling a fishing boat and a decent guitar collection to finance trips from north Georgia to Nashville every week paid off in October of 2010 he was approached by EMI Music Publishing after playing a Tuesday night showcase called Alabama Line. After meeting with EMI a few times he was offered his first publishing deal. "I didn't know what I had to offer such a big corporate publishing company, but when I looked on the roster and saw Guy Clark I knew I was in." It didn't take long before he was in the room with his teacher. Learning from the master himself. "Just knowing Guy has made me a better man, but getting to share ideas and stories is a dream come true."


Channing’s songs have been recorded by artists like Tyler Farr, Luke Combs, Jason Eady, and more. He has shared bills with so many of his heroes such as Billy Joe Shaver, Steve Earle, Robert Earl Keen, Tony Joe White, Chris Knight, Dale Watson, and many more including going out on the 2012 Country Throwdown Tour. He has just recently signed a artist/publishing agreement with Warner Chappell and Low Country Sound (Grammy award winning producer Dave Cobb).


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