You can also choose to celebrate 30 Years of the Secretly Group with the weekend concert bundle.

Three Days - Three Shows - Three Venues - One Low Price. ($90)

Each bundle includes one limited edition poster and General Admission tickets to:

• Magnolia & Johnson Electric Co, Early Day Miners, June Panic, August 27th @ The Bluebird
• Sharon Van Etten, Kevin Morby, Jordan Patterson, August 28th @ Buskirk-Chumley Theater
• Durand Jones & the Indications, Jensen McRae, Angela Autumn, August 29th @ Switchyard Park

Limited Quantity Available! To get the Secretly 30 - Weekend Bundle CLICK HERE.

OR BUY INDIVIDUAL TICKETS FOR SATURDAY AUGUST 29th at SWITCHYARD PARK on this page 4/24.

IU Arts and Humanities, City of Bloomington Parks & Rec, and Visit Bloomington Presents:
Granfalloon Concert Series at Switchyard Park | 1601 S. Rogers St., Bloomington, IN

Celebrating 30 Years of SECRETLY GROUP.

Durand Jones & The Indications are in bloom.
After more than a decade of music-making, the trio have blossomed as a unit and are basking in their successes. On their aptly titled new album, Flowers, The Indications unfurl their true colors — embracing all their roots and influences, maturation and confidence, and share them with the world. "We spent the last 10 years building this house and now we’re living in it,” says Blake Rhein.

Since forming in 2012, the road has taken The Indications from those origins at Indiana University, Bloomington to the global stage, selling out shows across Europe, Japan, Australia, and New Zealand to the West Coast— where DJI has a strong following among the lowrider and vintage soul enthusiasts.

For as far as Durand Jones & The Indications have come, Flowers grew from the desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut.

Pulling sonically and spiritually from each of the group's previous releases and solo work, Flowers is the next stage of DJI's inspired soulful discography. DJI are not only accepting their flowers, but indulging in their sweet and sexy fragrance.

Jensen McRae could've been down for the count.

"The most profound choices of my life,” she says, “have often felt like things I did before I was ready to do, and I had to grow into them.” McRae’s songs have a way of giving shape to these leaps, cliff jumps and trust falls, and on her new album, I Don’t Know How But They Found Me!, Jensen McRae goes further than ever, evolving from a promising young artist to a fully grown songwriter and star. “It’s about realizing what you can’t outrun, and what follows when you have withstood what you thought might crush you,” she explains. “There are things that can happen to us—unthinkable, untenable things—that threaten our safety in our own bodies. They happen, and you feel like the only option is escape. In truth, the only way out is in—back into the place you have always lived.” The home – with Jensen front-and-center, possibly leaving, possibly arriving – adorns the artwork for I Don’t Know How But They Found Me!”. “You can leave the city, you can leave the lover,” McRae continues, “but you can never leave yourself.”

From the very beginning, fans have fallen in love with Jensen McRae for the sharp, evocative and clear-eyed songwriting. An avid journaler, McRae has been breathlessly documenting her existence since she was 18. Her first album, Are You Happy Now?, was a mission statement for the artist who grew up an automatic outsider: a Black Jewish girl from Los Angeles, hellbent on making folk music in spite of the world's attempts to box her into other, more stereotypically Black genres. McRae looked to her songwriting heroes (Alicia Keys, Carole King, James Taylor, Stevie Wonder) to build a sonic world all her own. As her audience grew and with myriad doors began unlocking, it "became the record of my coming-of-age. But it was a quiet coming-of-age, one that mostly took place inside my own head."

I Don’t Know How But They Found Me! takes place against the backdrop of romantic turbulence and McRae's rapidly growing audience. "I had never been in love before," McRae said, "not really. And then I had two life-altering relationships back to back in my early twenties. This album is primarily an exploration about how love and intimacy knock the wind out of you, can take your legs out from under you." She has also had multiple viral moments; the most recent was in 2023, when McRae posted a solo verse and chorus online, little more than a piece of a demo, and it took off. Covers, duets, and an avalanche of new fans followed (including the likes of Justin Bieber, Stormzy, and Dan Nigro to name a few); the song was the beginning of "Massachusetts" , which would become her first Dead Oceans release.

McRae ventured to North Carolina to record I Don't Know How But They Found Me! with Brad Cook (Waxahatchee, Suki Waterhouse, Bon Iver), also enlisting the help of Hippocampus's Nathan Stocker on guitar, Bon Iver's Matthew McCaughan on drums, and her younger brother, Holden McRae, on keys. "It felt like summer camp. None of us wanted to leave," McRae said. "It was such a joyous ten days of pure creative expression." In the process, I Don't Know How But They Found Me! found its footing--a vibrating, urgent collection of songs moored by razor-sharp lyrical specificity and timeless pop melodies. The unusual title of her second album? Taken from a line in McRae's favorite film, Back to the Future. A key protagonist survives a hail of bullets, and the image resonated with McRae. “I really connected with the idea that I could've easily collapsed beneath the weight of what happened to me, but I didn't. I didn't even know it, McRae says, “but I was bulletproof the whole time."

Angela Autumn is a country folk artist from the Appalachia region of Pennsylvania.
Blending her sound from roots of her small hometown, she soon brought her childhood stories and buried upbringing to the city of Nashville. Releasing several albums, including “Cowboy Jack Clementine” (2023) and creating countless media videos through her platforms on social media, gaining her over millions of views, her sound and traditions began to be recognized: crowning her the name of “The Rose of Appalachia.”

GRANFALLOON @ SWITCHYARD POLICIES
The Performance takes place on the MAIN STAGE

Tickets:
All tickets purchased online will be sent as e-tickets to the email address associated with your account. The e-tickets will be listed within your confirmation email. I you have questions you can reach us at (812) 323-3020 ext 1. Tuesday - Friday from 11am- 5pm and Saturday from 12pm - 5pm.

GA- Lawn: General Admission access to the Switchyard performance lawn. (lawn chairs and blankets permitted.)
Pit – Standing Reserved: For the super-fan! Pit tickets provide front and center stage area access
VIP: The comfort option! VIP side stage tickets provide access to the side stage lawn areas near the stage and the following upgrades: Stage view with shade, Dedicated entrance, Early entry, Two complimentary drink vouchers, Access to VIP bar and premium food options, VIP restrooms.

PARKING:
There are several PARKING LOTS at different entrances of the park. These lots are located off Rogers St., Walnut St. and Grimes Ln. Please allow yourself plenty of time to find a space and walk to the venue.

ENTRY:
General event entry will be from the west side of the PERFORMANCE LAWN located near the shelter on the west of the stage. Please have your e-tickets ready and available to scan in upon arrival.

BAGS:
Bags cannot be larger than 13” x 15” - clear bags encouraged! Security will check bags and ensure food/beverage and safety guidelines are followed. Guests may not bring bags larger than 13”x15”, signs, noisemaking items, weapons, hard objects, chairs, or other items that will detract from the performance.

FOOD & DRINK:
Outside food and drinks are not allowed into the concert area with the exception of plastic water bottles or drinks poured into plastic cups purchased at the event. Lids should be removed from water bottles. (no projectiles)

ACCESSIBILITY:
The Granfalloon @ Switchyard Concert Series takes place outside at Switchyard Park and as such all sidewalks have ramps for those in need. Visitors who use wheelchairs or mobility devices are welcome to use the accessible pavers immediately in front of the Main Stage as a seating area during performances and programs. Follow our Main Stage Concert signage for accessible seating options. If you need other accommodations made or have questions, please visit our Home Base Tent during the festival or email us at ahcounc@iu.edu.

More information about Switchyard Park accessibility can be found here: https://switchyardpark.com/park-information/accessibility/

If mobility challenges might prevent you, a friend or family member from fully enjoying Granfalloon, we encourage you to make use of free mobility device loans from our community partners, the Mobility Aids Lending Library and the Monroe County Public Library. The Mobility Aids Lending Library loans larger items such as manual wheelchairs, power wheelchairs and electric scooters from its location at First Christian Church at 205 E. Kirkwood Avenue. Smaller items like walkers, rollators, canes and crutches may be checked out through the Monroe County Public Library located at 303 E. Kirkwood Avenue.

For any further accessibility accommodation needs and inquiries, please email our staff at ahcounc@iu.edu.

PURCHASING ON-SITE:
Cash and card will be accepted by most venders. Onsite ticket sales will be card only.

RE-ENTRY:
Re-entry to the performance lawn will be permitted with a wristband. You will receive the wristband at the time your ticket is scanned. No Alcohol will be permitted outside the fenced area.

LAWN CHAIRS & BLANKETS:
Lawn chairs and blankets are permitted into the performance lawn area but should be used in non-crowded spaces.

RESTROOMS:
There are restrooms located to the west of the performance lawn.

DOGS/ANIMALS:
There are no animals allowed in the venue unless they are a service animal.