DOORS: 6PM | SHOW: 7PM | ALL AGES

What do you get when you combine elevated choral music with the electronic stylings of Molly Healey and the magnetic pulse of synths and techtronica, all punctuated by the hypnotic art of aerial dance? Step inside and join us for an evening of unexpected musical juxtaposition.

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Founded in 2008, Springfield Chamber Chorus is dedicated to acting as ambassadors, artists, and educators, integrating choral music into the life of our community through meaningful experiences for both singer and audience. The chorus, an entirely volunteer ensemble of 40 members, exists to pursue artistic excellence while commissioning new works, supporting emerging talent, and promoting artistic collaboration throughout our region. Springfield Chamber Chorus has been featured at both the Missouri Choral Directors Association and Missouri Music Educators Association annual conferences on multiple occasions.

A fan once lovingly stated that Molly brings the orchestra to the live rock show, and it’s a descriptor that has stuck over the years. As a longtime fiddle player for the Ozark Mountain Daredevils who morphed into a powerhouse experimental songwriter, Molly Healey began her solo career in 2015 after buying a simple looping pedal. She immediately found a passion for blending her strings and voice together into atmospheric and experimental orchestral folk songs, and her first compositions were featured on her debut solo album, Nightbirds. She has since recorded 4 more albums, each growing in intensity and instrumentation, and the most recent of which, With the Wind: an Orchestral Dance Music Suite, was released in November of 2025; it encompasses her newly coined genre of ODM (Orchestral Dance Music). She has grown from the stripped-down looping solo set to a roster of original music and choice covers that she often performs with a full electric band. She plays a dazzling variety of instruments: cello, violin, guitar, and piano, all while experimenting with various other sounds looping in Ableton Live.

Vanna Carr is a local to the Springfield area whose electronic work spans roughly the last 2 decades. She has had multiple vinyl releases through independent labels based out of Chicago, London, and most recently, Berlin. Her music, often described as moody or melancholic, is produced through a variety of mediums including analog synthesizers, drum machines, samples, and digital instruments.

C. Martin (Casey) is an analog and digital synthesis explorer, transforming algorithmic precision into dynamic sonic landscapes through a lineage that spans experimental, ambient soundscapes, and modular innovation.

Electronic sound that blurs boundaries - mathematical precision and raw musical expression.